Once the concept of the ready framed has been established (‘all is history’) the artist ceases to be necessary as he joins the group of spectators. With this concept on the contrary to the readymade everything becomes art and what is given to the spectator is possibility (not a micro, but a macro-concept) to consider anything and everything as everything has a frame of history upon it. In sense this makes conceptual art freed of whatever classical idea of object and represented value it might have had, but also of modern concerns to do with organisation of labour (Marx). The artist provides the framework (frame) like a photographer frames a view anybody can see, and then what happens and is seen within the frame is for each of us to determine.