Everything about the contemporary is panda.
It has occured to me, when i used the term the historic level, I meant subconsciously the height of times. As it is after all the height of the panda.
The installation, although making a direct and clear reference to the concept of the historic level (used by Ortega y Gasset in the context of its raise) is in fact treating the very problem only as a secondary one. The true problem is then hidden behind the literal reference of the text. After all, the line of the ‘level’ is determined by the height of the panda, and so the other of the historic, and one could say the paramount one, that of the ‘height of times’.